Kef Times

Location: Arcata, Calif.

Occupation: I am a public school music teacher. I teach preschool through 8th grade general music, choir, band, strings and other music electives.

Connection to Balkan music/dance: I play in the international folk band Chubritza. We perform regularly at our local monthly folk dance parties as well as throughout the West Coast at various folk dance and music festivals.

Number of times at Balkan camp: I have been coming for seven consecutive years.

Studied at camp: I tend to take more singing classes than anything else.

Memorable moment at camp: This summer, my husband and one-year-old son were able to come with me to camp. I was touched and inspired that many of the teachers welcomed my young, boisterous, noisy child and encouraged his obsession with music and instruments. In particular, there was a moment when Raif [Hyseni] saw my son staring at his accordion in awe and invited him to touch it and play some notes on the keyboard. It was a very magical and touching experience to have this incredible, world-class musician sharing his accordion with a one-year-old.

Location: Coos Bay, Ore.

Occupation: I am a retired rural letter carrier for the Postal Service.

Connection to Balkan music/dance: I do international folk dancing throughout the year. We dance every Monday evening in North Bend, and occasionally in Eugene with their Tuesday group, and at their Veselo Festival. Many of our dances are Balkan.

Number of times at Balkan camp: This was my first time.

Studied at camp: Dance! Dance! Dance! I am not a musician. Been dancing for over 30 years, but never played an instrument. I am trying to learn the kaval, with little success. I enjoyed the Bulgarian and Serbian dance classes the most.

Memorable moment at camp: The Friday afternoon student recitals at the amphitheater were remarkable. It was a real eye-opener to see how much talent there was in camp, and to hear how well people from all over the West could come together for a week and learn to play and sing so beautifully together. In that setting, it was magical.

Location: Albany, Calif.

Occupation: Acupuncturist

Connection to Balkan music/dance: I sing with Mozaik Voices, a Berkeley-based, five-voice Balkan and folk ensemble. We sing a variety of music from all over the world, a cappella or accompanied by drums or accordion. Here is our website! https://mozaikvoices.com/

Number of times at Balkan camp: 2017 was my first time at camp, and it was amazing!

Studied at camp: I focused on voice, though I also loved the dance in the evenings.

Memorable moment at camp: Although nearly everything about camp was surprising and wonderful, the highlight of the week was definitely being able to enjoy the performances of the other students and the instructors in the dance hall and the kafana. I knew I would be surrounded by talented people, but I was honestly blown away by so many of the performances that I got to see in the evenings at camp. To try and pick a favorite would be impossible, but the feeling of being in the presence of greatness but surrounded by a strong and inclusive community was truly unique and special.

Location: Eugene, Ore.

Occupation: Freelance musician

Connection to Balkan music/dance: I am director of the Balkan dance band Kef, which is finishing its tenth year of performing in Eugene and throughout the Pacific NW. We perform alternately as a small folk band and as a larger Macedonian-style brass band. www.balkanmusic.org

Additionally, I have the privilege of playing with Mark Levy and Carol Silverman in their group Slavej. As I write this, we have just concluded a wonderful weekend of performing at balkanalia! with a host of fantastic musicians, including Michael Lawson, David Bilides, Bill Lanphier and Adam Good.

Number of times at Balkan camp: This was my seventh Mendocino Balkan camp, having first attended as a college student in 2003.

Studied at camp: As a trumpet player, this was a year not to be missed. Demiran Ćerimović is a master of both the music and the instrument, and is one of today’s most beautiful players. Having a trumpet class in addition to the usual brass band was incredibly beneficial, and beyond that the additional private instruction time that I spent with Demiran was invaluable.

Memorable moment at camp: I think perhaps the most valuable thing that I was able to bring back with me this year came from delving into Demiran Ćerimović’s approach to improvisation. It was an impression I had already developed, but to hear it stated explicitly is very enlightening. Generally speaking, when playing a solo, he does not think about modes or chord tones or anything in a generic structural sense. Instead, each tune has a solo that goes with it. That is not to say that it is pre-composed, but rather that there is a sound the solo needs to have, to match the feel of the song. Often all of the various improvisations done during a given tune by different members of a group have a similar sound. What makes each solo unique is the way that the overall idea (which makes it unique to a particular tune) is threaded together by the idiosyncratic repertoire of “licks” each individual performer has under the fingers. Now, if only someone could articulate what makes a solo have the right feel for a given tune.

Location: Davis, Calif.

Occupation: Social worker

Connection to Balkan music/dance: Davis International Folk Dancers, Kolo Koalition in Sacramento. I went to balkanalia! for the first time this year, and have attended Kolo Festival twice so far.

Number of times at Balkan camp: Second time at camp; last year was only four days. Came with daughter who is 10 years old and played doumbek.

Studied at camp: Albanian violin, Greek baglamas, Bulgarian singing, and Greek dance

Memorable moment at camp: Albanian Ensemble was epic (singing and playing violin), also Rebetika ensemble, playing a new instrument. It was amazing to work with Raif [Hyseni] and Merita [Halili]. A dream come true.

Location: San Clemente, Calif.

Occupation: I am a full-time student most of the year. I am studying engineering.

Connection to Balkan music/dance: I have been going to Balkan Camp my whole life.

Number of times at Balkan camp: 1999 was my first camp, I believe.

Studied at camp: Tambura, both Bulgarian and Macedonian. One of my main focuses now when I come to camp is playing with great musicians like Paul Brown and Adam Good.

Memorable moment at camp: The whole camp is impressive. Every moment in that wonderful forest with all those wonderful people is magical.

I am so appreciative to have gotten a scholarship. Balkan camp has brought me in contact with some brilliant new friends, and inspired me and Nathan to take our Bulgarian tambura and gudulka to their fullest potential. We are going to be playing throughout the year, and hope to come back next year to play for all of you.

Location: Hagerstown, Md.

Occupation: I work at a mall kiosk currently, but am just working odd jobs to put myself through school. Mostly sales and customer service. I’m studying to become an audio engineer.

Connection to Balkan music/dance: I discovered Balkan music at Santa Fe University of Art and Design under the instruction of Polly T. Ferber. Since the school’s closure my partner and I still play Balkan tunes together and actively seek out the East Coast Balkan community.

Number of times at Balkan camp: It was my first time at camp!

Studied at camp: My main study focus is cello and Turkish makam. Somehow makam makes more sense to me than traditional Western theory ever did.

Memorable moment at camp: I was in awe at the acceptance of people. I’m a very spiritual person and I also identify as a transgender male. Everybody at camp was so willing to hear me speak on my beliefs and so many people hugged or congratulated me when I came out to them. There was honest and true acceptance and understanding that we’re all the same species living different lives in the same place. It felt like family.

Location: Los Angeles, Calif.

Occupation: I am a musician and a student at the same time. I play gudulka with a few Bulgarian groups in L.A. I gig a lot with Aaron Strelnikoff, who is another scholarship recipient, and his brother; we are all three Americans. We play at UCLA cultural events, for the Bulgarian Society of Los Angeles and for folk dancers in Santa Monica. We play with Ivan and Tzvetanka Varimezovi every week because they run the UCLA Balkan Ensemble. I am an ethnomusicology student at UCLA.
Number of times at Balkan camp: About four years.
Studied at camp: Gudulka.
Memorable moment at camp: At camp, I was playing a kafana set with Aaron on tambura and his brother Sasha on tupan. We would rehearse in the cabin or sitting around outside. One day when we were rehearsing for that set we went about five to six straight hours of rehearsing. It impressed me that there were people that dedicated to performing Bulgarian music, and that made me very happy. To this day we still have those sessions that go on for hours and hours. It makes me very happy that there are at least one or two other people as interested in this music as I am.