Katherine Chipman
Location: Cottonwood Heights, Utah
Occupation: Kodály music specialist, choir director/guitar teacher, Royal Music Conservatory piano teacher, Singers Abroad director, Momentum Climbing coach
Connection to Balkan music/dance: Zivio Ethnic Arts Ensemble—both dancer and singer
https://www.facebook.com/zivioethnicarts/
Number of times at Balkan camp: This was my first year.
Studied at camp: Singing.
Memorable moment at camp: The community and sense of belonging really surprised me. I especially loved the last day of camp where we all paraded around camp playing music, and the energy I felt being a part of something bigger than myself.
Eve Elliot
Location: Los Angeles, Calif.
Occupation: Part-time translator and part-time bicycle courier; these are my day jobs while I try to advance a career as a musician. I front an original band in which I play guitar and keyboard, and do sideman/background work on those instruments as well.
Connection to Balkan music/dance: Friends and I regularly get together to learn and play Balkan music, usually accompanied by a few beers.
Number of times at Balkan camp: This was my first time at camp.
Studied at camp: Greek music for strings, but I was also introduced to makam theory.
Memorable moment at camp: The most touching for me were the moments in between the classes, parties, etc., when spontaneous small groups formed to play music. I remember swatting away mosquitoes while learning song after song from the young Greek dudes, the jangly sound of the guitars and bouzoukis among the trees. Or trying to figure out proper ornamentation technique with a fellow guitar student, struggling to see the fretboard as the sun set. Those moments of intimacy meant a lot to a first-timer like me.
Julian Geary
Location: Portland, Ore.
Occupation: High school freshman
Connection to Balkan music/dance: Music has always been a big part of my life, and my dad fell in love with Balkan music just around the time I was born. Through him I have slowly been liking it more and more.
Number of times at Balkan camp: For years I have been asking my dad to let me go to camp and finally this year I was allowed.
Studied at camp: I decided to continue my learning of violin, and picked up the tupan, which was a great decision.
Memorable moment at camp: It was a dream come true, and I was not disappointed. Throughout these first few boring weeks of school I constantly find myself daydreaming back to when the next-gen played in front of a packed audience in the kafana with the whole crowd jumping up and down in a hip-hop fashion that me and my friends started. Camp was the highlight of my summer and I hope I can come back next year.
Jack Hanley
Location: Martinez, Calif.
Occupation: I work as a musician, drumming, mostly Klezmer music, and recently Balkan as well! I also work seasonally in Yosemite National Park.
Connection to Balkan music/dance: I frequent local Balkan performances to listen and dance, and I am part of a rotating cast of musicians who perform at the weekly “Balkan Sundays” event in San Francisco. Camp gave me the opportunity to create and make stronger friendships with the players in the Bay Area Balkan scene and thus I have had many more opportunities to play and perform because of it. Thank you (:
Number of times at Balkan camp: This was my first time at camp and it blew me away.
Studied at camp: I study drumming, both on tupan and doumbek.
Memorable moment at camp: It is difficult, no, impossible, to single out one memorable and special experience from such a loaded week of beauty and joy that could sum it all up. However, the week started with an exclamation point in my memory. Wide-eyed and taken back, the sound surrounded me completely. Heavy drumbeats dropped into my chest, and my temples reverberated with a sound so distinct, played so naturally, with emphasis so characteristically “Balkan,” that I knew in an instant that this camp was going to be the real deal. Any one of the evening’s dance party performances could easily be considered a highlight of virtuosic musicianship, community, and a lifted spirit. There was no better way to set the stage for this all on the first night, than with the raucous zurna and tupan set I remember so powerfully.
Thank you so so so much for all the work the EEFC does, and especially for the generosity that you showed me by awarding me a scholarship.
Joshua Laurenzi
Location: Oakland, Calif.
Occupation: Massage therapist, medical herbalist, musician
Connection to Balkan music/dance: I perform with Ghost Note Ensemble ghostnoteensemble.bandcamp.com.
Number of times at Balkan camp: This was my first time at camp.
Studied at camp: Greek violin
Memorable moment at camp: The openness and welcoming attitudes of everyone were so surprising and wonderful. I’ve been to many other music camps and this is usually not so much the case. From the moment I arrived people were friendly and helpful. My time at camp this year was so wonderful in large part due to this friendliness across the board, from teachers to attendees.
Meadow Lo
Location: Arcata, Calif.
Occupation: I am a public school music teacher. I teach preschool through 8th grade general music, choir, band, strings and other music electives.
Connection to Balkan music/dance: I play in the international folk band Chubritza. We perform regularly at our local monthly folk dance parties as well as throughout the West Coast at various folk dance and music festivals.
Number of times at Balkan camp: I have been coming for seven consecutive years.
Studied at camp: I tend to take more singing classes than anything else.
Memorable moment at camp: This summer, my husband and one-year-old son were able to come with me to camp. I was touched and inspired that many of the teachers welcomed my young, boisterous, noisy child and encouraged his obsession with music and instruments. In particular, there was a moment when Raif [Hyseni] saw my son staring at his accordion in awe and invited him to touch it and play some notes on the keyboard. It was a very magical and touching experience to have this incredible, world-class musician sharing his accordion with a one-year-old.
Paul Poresky
Location: Coos Bay, Ore.
Occupation: I am a retired rural letter carrier for the Postal Service.
Connection to Balkan music/dance: I do international folk dancing throughout the year. We dance every Monday evening in North Bend, and occasionally in Eugene with their Tuesday group, and at their Veselo Festival. Many of our dances are Balkan.
Number of times at Balkan camp: This was my first time.
Studied at camp: Dance! Dance! Dance! I am not a musician. Been dancing for over 30 years, but never played an instrument. I am trying to learn the kaval, with little success. I enjoyed the Bulgarian and Serbian dance classes the most.
Memorable moment at camp: The Friday afternoon student recitals at the amphitheater were remarkable. It was a real eye-opener to see how much talent there was in camp, and to hear how well people from all over the West could come together for a week and learn to play and sing so beautifully together. In that setting, it was magical.
Hilary Seamans
Location: Albany, Calif.
Occupation: Acupuncturist
Connection to Balkan music/dance: I sing with Mozaik Voices, a Berkeley-based, five-voice Balkan and folk ensemble. We sing a variety of music from all over the world, a cappella or accompanied by drums or accordion. Here is our website! https://mozaikvoices.com/
Number of times at Balkan camp: 2017 was my first time at camp, and it was amazing!
Studied at camp: I focused on voice, though I also loved the dance in the evenings.
Memorable moment at camp: Although nearly everything about camp was surprising and wonderful, the highlight of the week was definitely being able to enjoy the performances of the other students and the instructors in the dance hall and the kafana. I knew I would be surrounded by talented people, but I was honestly blown away by so many of the performances that I got to see in the evenings at camp. To try and pick a favorite would be impossible, but the feeling of being in the presence of greatness but surrounded by a strong and inclusive community was truly unique and special.
Nicholas Caputo
Location: Denver, Colo.
Occupation: I have been working as a professional musician and instructor, teaching accordion, ukulele, piano and music theory as well as teaching Ashtanga Yoga.
Connection to Balkan music/dance: I have a group, Passersby, that draws on some Balkan influence. I’m challenged by Balkan music, its intricate time signatures, the rich harmonies, and the overall feeling of something familiar keep me interested in playing the accordion and sharing it with my world. The influence of Balkan music makes my artistic writing process much more exciting. I just recently moved to Colorado and have had the opportunity to sing with the group Planina (Planina.org). The rehearsals leave me inspired and excited to learn more and sharpen my skills. Also, dancing every chance I get keeps me feeling light in my body and my heart alive with inspiration (helps with weird time signatures, too).
Number of times at Balkan camp: This was my second year.
Studied at camp: I was really interested in being as focused as possible on the accordion. Camp can be overwhelming in the amount of content and nuance being presented; I wanted to be as receptive as possible.
Memorable moment at camp: I was quiet this year at camp and it brought me to a more reflective place. I watched more than last year and I asked many more questions. The most significant part of camp was one of the board meetings where we came together to speak about the future of the EEFC. The question of, “What are we doing here?” came up and the subsequent discussions were illuminating. We were all there for different reasons, very few lined up, and it left my head spinning a bit. Later that night as I reflected on why I was there, I came across a teacher’s cabin with lightning-fast accordion songs, singing and dancing all around. I stayed quiet as I observed these friends and strangers alike dance and cackle, drink and yell out song names that were met with laughter. We were all there for the same reason even though earlier in the day we had so many different responses. We were coming together to sing and dance and learn, to get away, to celebrate, but it was all built on the foundation of connection. It’s in the celebration of culture that we have the chance to celebrate our humanness, of what makes us all fundamentally the same. We raise our voices, join hands and let the spirit of our human bond come to life. The world stops and we are granted a glimmer into the endlessness of being; the gift of this human life and all life that has come before us, the life that will press on in song long after us.
Paula Douglass
Location: Rochester, N.Y.
Occupation: Copyediting/indexing
Connection to Balkan music/dance: I sing with a local Balkan women’s choral group (Sladki Doumi) and dance with the Rochester international folk dancing group. On my own I play the gudulka nearly daily and connect with other musicians to play music of Bulgaria.
Number of times at Balkan camp: I came for three days in 2016. That was the first time I had attended. So, two years.
Studied at camp: Gudulka, Bulgarian singing, all dance
Memorable moment at camp: Every night the dance party and live music were electric; if I had to pick one thing—this is difficult—the dance party would have to be my favorite. Ivan [Handzhiev]’s singing class (Thracian) was great fun! The song selections were varied and interesting and Ivan always has a twinkle in his eye. I also loved dancing around the gajda players; so nice to connect with people in that way. Listening to the young soloist (girl) from Čoček Nation was really inspiring. I love that people of all ages come to the camp. I particularly enjoyed listening to the woman who played Scandinavian tunes in the kafana one night and watching the dancing—so beautiful! Playing gudulka in the student concert was a big step for me; I have performance anxiety. Nikolay [Kolev], my teacher, and the other students in the class were very supportive, so I felt brave enough to do it and it went well!