Kef Times

Location: Cottonwood Heights, Utah

Occupation: Kodály music specialist, choir director/guitar teacher, Royal Music Conservatory piano teacher, Singers Abroad director, Momentum Climbing coach

Connection to Balkan music/dance: Zivio Ethnic Arts Ensemble—both dancer and singer
https://www.facebook.com/zivioethnicarts/

Number of times at Balkan camp: This was my first year.

Studied at camp: Singing.

Memorable moment at camp: The community and sense of belonging really surprised me. I especially loved the last day of camp where we all paraded around camp playing music, and the energy I felt being a part of something bigger than myself.

Location: Los Angeles, Calif.

Occupation: Part-time translator and part-time bicycle courier; these are my day jobs while I try to advance a career as a musician. I front an original band in which I play guitar and keyboard, and do sideman/background work on those instruments as well.

Connection to Balkan music/dance: Friends and I regularly get together to learn and play Balkan music, usually accompanied by a few beers.

Number of times at Balkan camp: This was my first time at camp.

Studied at camp: Greek music for strings, but I was also introduced to makam theory.

Memorable moment at camp: The most touching for me were the moments in between the classes, parties, etc., when spontaneous small groups formed to play music. I remember swatting away mosquitoes while learning song after song from the young Greek dudes, the jangly sound of the guitars and bouzoukis among the trees. Or trying to figure out proper ornamentation technique with a fellow guitar student, struggling to see the fretboard as the sun set. Those moments of intimacy meant a lot to a first-timer like me.

Location: Portland, Ore.

Occupation: High school freshman

Connection to Balkan music/dance: Music has always been a big part of my life, and my dad fell in love with Balkan music just around the time I was born. Through him I have slowly been liking it more and more.

Number of times at Balkan camp: For years I have been asking my dad to let me go to camp and finally this year I was allowed.

Studied at camp: I decided to continue my learning of violin, and picked up the tupan, which was a great decision.

Memorable moment at camp: It was a dream come true, and I was not disappointed. Throughout these first few boring weeks of school I constantly find myself daydreaming back to when the next-gen played in front of a packed audience in the kafana with the whole crowd jumping up and down in a hip-hop fashion that me and my friends started. Camp was the highlight of my summer and I hope I can come back next year.

Location: Martinez, Calif.

Occupation: I work as a musician, drumming, mostly Klezmer music, and recently Balkan as well! I also work seasonally in Yosemite National Park.

Connection to Balkan music/dance: I frequent local Balkan performances to listen and dance, and I am part of a rotating cast of musicians who perform at the weekly “Balkan Sundays” event in San Francisco. Camp gave me the opportunity to create and make stronger friendships with the players in the Bay Area Balkan scene and thus I have had many more opportunities to play and perform because of it. Thank you (:

Number of times at Balkan camp:  This was my first time at camp and it blew me away.

Studied at camp: I study drumming, both on tupan and doumbek.

Memorable moment at camp: It is difficult, no, impossible, to single out one memorable and special experience from such a loaded week of beauty and joy that could sum it all up. However, the week started with an exclamation point in my memory. Wide-eyed and taken back, the sound surrounded me completely. Heavy drumbeats dropped into my chest, and my temples reverberated with a sound so distinct, played so naturally, with emphasis so characteristically “Balkan,” that I knew in an instant that this camp was going to be the real deal. Any one of the evening’s dance party performances could easily be considered a highlight of virtuosic musicianship, community, and a lifted spirit. There was no better way to set the stage for this all on the first night, than with the raucous zurna and tupan set I remember so powerfully.

Thank you so so so much for all the work the EEFC does, and especially for the generosity that you showed me by awarding me a scholarship.

Location: Oakland, Calif.

Occupation: Massage therapist, medical herbalist, musician

Connection to Balkan music/dance: I perform with Ghost Note Ensemble ghostnoteensemble.bandcamp.com.

Number of times at Balkan camp: This was my first time at camp.

Studied at camp: Greek violin

Memorable moment at camp: The openness and welcoming attitudes of everyone were so surprising and wonderful. I’ve been to many other music camps and this is usually not so much the case. From the moment I arrived people were friendly and helpful. My time at camp this year was so wonderful in large part due to this friendliness across the board, from teachers to attendees.

Location: Arcata, Calif.

Occupation: I am a public school music teacher. I teach preschool through 8th grade general music, choir, band, strings and other music electives.

Connection to Balkan music/dance: I play in the international folk band Chubritza. We perform regularly at our local monthly folk dance parties as well as throughout the West Coast at various folk dance and music festivals.

Number of times at Balkan camp: I have been coming for seven consecutive years.

Studied at camp: I tend to take more singing classes than anything else.

Memorable moment at camp: This summer, my husband and one-year-old son were able to come with me to camp. I was touched and inspired that many of the teachers welcomed my young, boisterous, noisy child and encouraged his obsession with music and instruments. In particular, there was a moment when Raif [Hyseni] saw my son staring at his accordion in awe and invited him to touch it and play some notes on the keyboard. It was a very magical and touching experience to have this incredible, world-class musician sharing his accordion with a one-year-old.

Location: Coos Bay, Ore.

Occupation: I am a retired rural letter carrier for the Postal Service.

Connection to Balkan music/dance: I do international folk dancing throughout the year. We dance every Monday evening in North Bend, and occasionally in Eugene with their Tuesday group, and at their Veselo Festival. Many of our dances are Balkan.

Number of times at Balkan camp: This was my first time.

Studied at camp: Dance! Dance! Dance! I am not a musician. Been dancing for over 30 years, but never played an instrument. I am trying to learn the kaval, with little success. I enjoyed the Bulgarian and Serbian dance classes the most.

Memorable moment at camp: The Friday afternoon student recitals at the amphitheater were remarkable. It was a real eye-opener to see how much talent there was in camp, and to hear how well people from all over the West could come together for a week and learn to play and sing so beautifully together. In that setting, it was magical.

Location: Albany, Calif.

Occupation: Acupuncturist

Connection to Balkan music/dance: I sing with Mozaik Voices, a Berkeley-based, five-voice Balkan and folk ensemble. We sing a variety of music from all over the world, a cappella or accompanied by drums or accordion. Here is our website! https://mozaikvoices.com/

Number of times at Balkan camp: 2017 was my first time at camp, and it was amazing!

Studied at camp: I focused on voice, though I also loved the dance in the evenings.

Memorable moment at camp: Although nearly everything about camp was surprising and wonderful, the highlight of the week was definitely being able to enjoy the performances of the other students and the instructors in the dance hall and the kafana. I knew I would be surrounded by talented people, but I was honestly blown away by so many of the performances that I got to see in the evenings at camp. To try and pick a favorite would be impossible, but the feeling of being in the presence of greatness but surrounded by a strong and inclusive community was truly unique and special.

Location: Eugene, Ore.

Occupation: Freelance musician

Connection to Balkan music/dance: I am director of the Balkan dance band Kef, which is finishing its tenth year of performing in Eugene and throughout the Pacific NW. We perform alternately as a small folk band and as a larger Macedonian-style brass band. www.balkanmusic.org

Additionally, I have the privilege of playing with Mark Levy and Carol Silverman in their group Slavej. As I write this, we have just concluded a wonderful weekend of performing at balkanalia! with a host of fantastic musicians, including Michael Lawson, David Bilides, Bill Lanphier and Adam Good.

Number of times at Balkan camp: This was my seventh Mendocino Balkan camp, having first attended as a college student in 2003.

Studied at camp: As a trumpet player, this was a year not to be missed. Demiran Ćerimović is a master of both the music and the instrument, and is one of today’s most beautiful players. Having a trumpet class in addition to the usual brass band was incredibly beneficial, and beyond that the additional private instruction time that I spent with Demiran was invaluable.

Memorable moment at camp: I think perhaps the most valuable thing that I was able to bring back with me this year came from delving into Demiran Ćerimović’s approach to improvisation. It was an impression I had already developed, but to hear it stated explicitly is very enlightening. Generally speaking, when playing a solo, he does not think about modes or chord tones or anything in a generic structural sense. Instead, each tune has a solo that goes with it. That is not to say that it is pre-composed, but rather that there is a sound the solo needs to have, to match the feel of the song. Often all of the various improvisations done during a given tune by different members of a group have a similar sound. What makes each solo unique is the way that the overall idea (which makes it unique to a particular tune) is threaded together by the idiosyncratic repertoire of “licks” each individual performer has under the fingers. Now, if only someone could articulate what makes a solo have the right feel for a given tune.

Location: Davis, Calif.

Occupation: Social worker

Connection to Balkan music/dance: Davis International Folk Dancers, Kolo Koalition in Sacramento. I went to balkanalia! for the first time this year, and have attended Kolo Festival twice so far.

Number of times at Balkan camp: Second time at camp; last year was only four days. Came with daughter who is 10 years old and played doumbek.

Studied at camp: Albanian violin, Greek baglamas, Bulgarian singing, and Greek dance

Memorable moment at camp: Albanian Ensemble was epic (singing and playing violin), also Rebetika ensemble, playing a new instrument. It was amazing to work with Raif [Hyseni] and Merita [Halili]. A dream come true.